New York

ZERO in Vibration – Vibration in ZERO

October 12, 2014 – January 8, 2015

Günther Uecker (b. 1930)
Column of Nails, 1964
Paint on nails, paint on wooden box, and unfinished wooden beam
50 x 14 x 12 in. (127 x 35.6 x 30.5 cm)
Collection Neuberger Museum of Art, Purchase College, New York

Bernard Aubertin (b. 1934)
Carré-zérotique, 1987
Acrylic and nails on wood
27½ x 27½ in. (70 x 70 cm)

Piero Dorazio (1927–2005)
Pink, 1962
Watercolor on paper
27½ x 19¼ in. (69.8 x 48.9 cm)

Christian Megert (b. 1936)
Lightbox, 1964
Wood, mirror and fluorescent tube
19¾ x 15¾ x 4¾ in. (50 x 40 x 12 cm)

Exhibition view.

François Morellet (b. 1926)
2 trames de chevrons superposées, 1961
Oil on wood
31½ x 31½ in. (80 x 80 cm)
Courtesy François Morellet

Walter Leblanc 1932–1986)
130 CX 378 (Twisted Strings), 1977
Cotton thread and white latex on canvas
51⅛ x 51⅛ in. (130 x 130 cm)

Hermann Goepfert (1926–1982)
Untitled (Kinetischer Reflektor), 1967
Wooden box, nylon thread and aluminum blades
19 x 23 x 2⅝ in. (48.5 x 58.5 x 6.7cm)

Jesús Rafael Soto (1923–2005)
Vibration noir et verte, 1966
Nylon line, paint on metal bars, and paint on wood
23 x 43 x 9 in. (58.4 x 109.2 x 22.9 cm)
Collection Neuberger Museum of Art
Purchase College, State University of New York

Heinz Mack (b. 1931)
Veil of Light, 1964
Plexiglass, chrome, hexcell and plastic
69 x 51 x 24 in. (175. 3 x 129.5 x 61 cm)

Otto Piene (1928–2014)
Untitled (Gelber Auszug, Rasterleinwand), 1957–58
Oil on canvas
12 x 27⅛ in. (30.4 x 69 cm)
Private collection

Hermann Goepfert (1926–1982)
Polaris (Kinetischer Reflektor), 1967
Wooden box, nylon thread, plastic foil, and aluminum blades
48 x 64½ x 7⅝ in. (122 x 164 x 19.5 cm)

Exhibition view.

Bernard Aubertin (b. 1934)
Cercle de feu tournant, 2013
Metal and match sticks
Diameter: 23⅝ in. (60 cm)

Heinz Mack (b. 1931)
Untitled, 1964
Stainless steel sheets, 16⅛ x 31⅞ in. (31.1 x 80.8 cm)
Collection Neuberger Museum of Art, Purchase College, State University of New York

Piero Dorazio (1927–2005)
Rosso di sotto, 1961
Oil on canvas
31⅞ x 39⅜ in. (81 x 100 cm)

Günther Uecker (b. 1930)
Nail Structure, 1963
Paint, nails and canvas on wood, 21⅝ x 21⅝ x 3½ in. (54.9 x 54.9 x 8.9 cm)
Collection Neuberger Museum of Art, Purchase College, State University of New York

Otto Piene (1928–2014)
Rolling Stars (Rasterkeramik), 2006
Ceramic
33½ x 33¼ x 1½ in. (85 x 84.5 x 4 cm)

Piero Dorazio (1927–2005)
Untitled, 1960
Watercolor and crayon on paper
20½ x 28¼ in. (52 x 72 cm)
Exhibition view.

Oskar Holweck (1924–2007)
Reissrelief, 1960–61
Torn paper
27½ x 27½ in. (70 x 70 cm)
Private collection

Almir Mavignier (b. 1925)
White Through Green, Blue, Violet (Weiß durch Grün, Blau, Violett hindurch), 1965
Oil on canvas, 19¼ x 16⅛ in. (48.9 x 41 cm)
Collection Neuberger Museum of Art, Purchase College, State University of New York
Walter Leblanc (1932–1986)
Torsions, 1965
Oxidized steel
70⅞ x 6 x ⅛ in. (180 x 15 x 0.4 cm)
The ZERO Foundation, Düsseldorf

Almir Mavignier (b. 1925)
Color Change on the Border (Farbwechsel an der Grenze), 1967
Oil on canvas, 15⅜ x 12⅝ in. (39.1 x 32.1 cm)
Collection Neuberger Museum of Art, Purchase College, State University of New York

Piero Dorazio (1927–2005)
Grey, 1959
Watercolor on paper
23 x 19¼ in. (58.4 x 48.9 cm)
Otto Piene (1928–2014)
Untitled, 1965
Gouache and smoke on serigraph on paper
25¼ x 19⅝ in. (64.1 x 49.8 cm)
Neuberger Museum of Art
Purchase College, State University of New York
Piero Dorazio (1927–2005)
Untitled, 1960
Lithograph on paper
9 x 8 in. (23 x 20.5 cm)
Edition of 50
Back To Top